MOZART Collector's Edition 50CDs

Description:

Symphonies 1,4,5,7,25-36, 39-41,43; Concertos - Piano 9,11-18,20-25,27; Violin 1-5; Horn 1-4; Clarinet; Flute; Oboe; Flute & Harp; Bassoon; Serenades; Divertimentos; String Quartets 15-19,22; String Quintets1,3-6; Violin Sonatas; Piano Sonatas; Variations; Mass C minor; Requiem. Operas - Entfuhrung, Figaro, Don Giovanni, Cosi Fan Tutte, Magic Flute. Top artists & orchestras (EMI)

Track Listing:

Mozart – The Collector’s Edition
Various Artists
CD 1 64.06

Symphony No.l in E flat major, K16
1 I: Molto allegro
2 II: Andante
3 III: Presto

Symphony No.4 in D major, K19
4 I: Allegro
5 II: Andante
6 III: Presto

Symphony in F major, K19a (Anh.223)
7 I: Allegro assai
8 II: Andante
9 III: Presto

Symphony No.5 in B flat major, K22
10 I: Allegro
11 II: Andante
12 III: Molto allegro

Symphony No.7a in G major, K45a (Ann.221) ‘Lambach’
13 I: Allegro maestoso
14 II: Andante
15 III: Molto allegro

Symphony ‘No.43’ in F major, K76 (42a)
16 I: Allegro maestoso
17 II: Andante
18 III: Menuetto & Trio
19 IV: Allegro


CD 2 70.47

Symphony No.31 in D major, K297 (300a) ‘Paris’
1 I: Allegro assai
2 II: Andante
3 III: Allegro
4 Appendix: Andante (alternative for II)

Symphony No.27 in G major, K199 (161b)
5 I: Allegro
6 II: Andantino grazioso
7 III: Presto

Symphony No.25 in G minor, K183 (173b)
8 I: Allegro con brio
9 II: Andante
10 III: Menuetto & Trio
11 IV: Allegro

CD 3 77.27

Symphony No.26 in E flat major, K184 (161a)
1 I: Molto presto
2 II: Andante
3 III: Allegro

Symphony No.29 in A major, K201 (186a)
4 I: Allegro moderato
5 II: Andante
6 III: Menuetto
7 IV: Allegro con spirito

Symphony No.30 in D major, K202 (186b)
8 I: Molto allegro
9 II: Andantino con moto
10 III: Menuetto
11 IV: Presto

Symphony No.28 in C major, K200 (189k)
12 I: Allegro spiritoso
13 II: Andante
14 III: Menuetto (Allegretto)
15 IV: Presto

CD 4 64.05

Symphony No.32 in G major, K318
1 I: Allegro spiritoso
2 II: Andante
3 III: Allegro spiritoso

Symphony No.35 in D major, K385 ‘Haffner’
4 I: Allegro con spirito
5 II: Andante
6 III: Menuetto & Trio
7 IV: Finale (Presto)

Symphony No.39 in E flat major, K543
8 I: Adagio − Allegro
9 II: Andante
10 III: Menuetto (Allegretto) & Trio
11 IV: Finale (Allegro)

CD 5 52.09

Symphony No.34 in C major, K338
1 I: Allegro vivace
2 II: Andante di molto
3 III: Finale (Allegro vivace)
4 Appendix: Menuetto & Trio, K409 (383f)

Symphony No.33 in B flat major, K319
5 I: Allegro assai
6 II: Andante moderato
7 III: Menuetto & Trio
8 IV: Allegro assai

CD 6 67.30

Symphony No.36 in C major, K425 ‘Linz’
1 I: Adagio − Allegro spiritoso
2 II: Poco adagio
3 III: Menuetto & Trio
4 IV: Presto

Symphony No.38 in D major, K405 ‘Prague’
5 I: Adagio − Allegro
6 II: Andante
7 III: Presto

CD 7 63.58

Symphony No.40 in G minor, K550
1 I: Molto allegro
2 II: Andante
3 III: Menuetto (Allegretto) & Trio
4 IV: Allegro assai

Symphony No.41 in C major, K551 ‘Jupiter’
5 I: Allegro vivace
6 II: Andante cantabile
7 III: Menuetto (Allegretto) & Trio
8 IV: Molto allegro

English Chamber Orchestra
Jeffrey Tate

CD 8 74.17

Piano Concerto No.9 in E flat major, K271
1 I: Allegro − Cadenza (Mozart) − Tempo I
2 II: Andantino − Cadenza (Mozart) − Tempo
3 III: Rondeau: Presto − Cadenza (Mozart) − Tempo I

Piano Concerto No.25 in C major, K503
4 I: Allegro maestoso − Cadenza (Barenboim) − Tempo I
5 II: Andante
6 III: Allegretto

7 Concert Rondo for piano & orchestra No.1 in D major, K382


CD 9 75.20

Piano Concerto No.11 in F major, K413 (387a)
1 I: Allegro − Cadenza (Mozart) − Tempo I
2 II: Larghetto − Cadenza (Mozart) − Tempo I
3 III: Tempo di Menuetto

Piano Concerto No.12 in A major, K414 (386a)
4 I: Allegro − Cadenza (Mozart) − Tempo I
5 II: Andante − Cadenza (Mozart) − Tempo I
6 III: Allegretto − Cadenza (Mozart) − Tempo I

Piano Concerto No.13 in C major, K415 (387b)
7 I: Allegro − Cadenza (Mozart) − Tempo I
8 II: Andante
9 III: Allegro − Adagio − Allegro

CD 10 73.45

Piano Concerto No.14 in E flat major, K449
1 I: Allegro vivace − Cadenza (Mozart) − Tempo I
2 II: Andantino
3 III: Allegro ma non troppo

Piano Concerto No.15 in B flat major, K450
4 I: Allegro − Cadenza (Mozart) − Tempo I
5 II: Andante
6 III: Allegro − Cadenza (Mozart) − Tempo I

Piano Concerto No.16 in D major, K451
7 I: Allegro − Cadenza (Mozart) − Tempo I
8 II: Andante
9 III: Allegro di molto − Cadenza (Mozart) − Tempo I

CD 11 63.18

Piano Concerto No.17 in G major, K453
1 I: Allegro − Cadenza (Mozart arr. Barenboim) − Tempo I
2 II: Andante − Cadenza (Mozart) − Tempo I
3 III: Allegretto

Piano Concerto No.26 in D major, K537 ‘Coronation’
4 I: Allegro − Cadenza (Wanda Landowska) − Tempo I
5 II: Larghetto
6 III: Allegretto

CD 12 63.18

Piano Concerto No.18 in B flat major, K456
1 I: Allegro vivace − Cadenza (Mozart) − Tempo I
2 II: Andante un poco sostenuto
3 III: Allegro vivace − Cadenza (Mozart) − Tempo I

Piano Concerto No.19 in F major, K459
4 I: Allegro − Cadenza (Mozart) − Tempo I
5 II: Allegretto
6 III: Allegro assai − Cadenzas (Mozart) − Tempo I

CD 13 63.18

Piano Concerto No.20 in D minor, K466
1 I: Allegro − Cadenza (Beethoven arr. Edwin Fischer) − Tempo I
2 II: Romanze
3 III: Rondeau: Allegro assai − Cadenza (Barenboim) − Tempo I

Piano Concerto No.24 in C minor, K491
4 I: Allegro − Cadenza (Barenboim) − Tempo I
5 II: Larghetto
6 III: Allegretto assai

CD 14 63.18

Piano Concerto No.21 in C major, K467
1 I: Allegro maestoso − Cadenza (Barenboim) − Tempo I
2 II: Andante
3 III: Allegro vivace assai − Cadenza (Barenboim) − Tempo I

Piano Concerto No.27 in B flat major, K595
4 I: Allegro − Cadenza (Mozart) − Tempo I
5 II: Larghetto
6 III: Allegro − Cadenza (Mozart) − Tempo I

CD 15 63.18

Piano Concerto No.22 in E flat major, K482
1 I: Allegro − Cadenza (Barenboim) − Tempo I
2 II: Andante
3 III: Rondo: Allegro − Cadenza (Edwin Fischer) − Tempo I

Piano Concerto No.23 in A major, K488
4 I: Allegro − Cadenza (Mozart) − Tempo I
5 II: Adagio
6 III: Allegro assai

English Chamber Orchestra
Daniel Barenboim piano & director

CD 16 74.28

Violin Concerto No.1 in B flat major, K207
1 I: [Allegro moderato]
2 II: Adagio
3 III: Presto (Cadenzas: K. Mostras)

Violin Concerto No.2 in D major, K211
4 I: [Allegro moderato]
5 II: [Andante]
(Cadenzas: Oistrakh)


Violin Concerto No.3 in G major, K216
7 I: Allegro
8 II: Adagio
9 III: Rondeau (Allegro − Andante − Allegretto)
(Cadenzas: Oistrakh)

10 Rondo for violin and orchestra in C major, K373

CD 17 76.31

Violin Concerto No.4 in D major, K218
1 I: Allegro
2 II: Andante cantabile
3 III: Rondeau (Andante grazioso − Allegro ma non troppo)
(Cadenzas: F. David)

Violin Concerto No.5 in A major, K219 ‘Turkish’
4 I: Allegro aperto
5 II: Adagio
6 III: Rondeau (Tempo di Menuetto − Allegro)
(Cadenzas: J. Joachim)

7 Rondo for Violin and Orchestra in B flat major, K269/261a

8 Rondo for Violin and Orchestra in C major, K373

9 Adagio for Violin and Orchestra in E major, K261
Berliner Philharmoniker
David Oistrakh violin & director

CD 18 60.02

Horn Concerto No.1 in D major, K412

1 I: Allegro
2 II: Rondo (Allegro)

Horn Concerto No.2 in E flat major, K417
3 I: Allegro maestoso
4 II: Andante
5 III: Rondo (Allegro)

Horn Concerto No.3 in E flat major, K447
6 I: Allegro
7 II: Romance (Larghetto)
8 III: Allegro

Horn Concerto No.4 in E flat major, K495
9 I: Allegro moderato
10 II: Romance (Andante cantabile)
11 III: Rondo (Allegro vivace)

11 Rondo in E flat major, K371


Radovan Vlatkovič horn
English Chamber Orchestra
Jeffrey Tate

CD 19 78.39

Oboe Quartet in F major, K370
1 I: Allegro
2 II: Adagio
3 III: Rondeau (Allegro)

Clarinet Quintet in A major, K581
4 I: Allegro
5 II: Larghetto
6 III: Menuetto
7 IV: Allegretto con variazioni


Gordon Hunt oboe ∙ Andrew Marriner clarinet
Chilingirian Quartet

Clarinet Concerto in A major, K622
8 I: Allegro
9 II: Adagio
10 III: Rondo (Allegro)

Andrew Marriner clarinet
London Mozart Players
Jane Glover

CD 20 76.23

Flute Concerto in G major, K313
1 I: Allegro maestoso
2 II: Adagio non troppo
3 III: Rondo (Tempo di Menuetto)

Jonathan Snowden flute
London Philharmonic Orchestra
Sir Charles Mackerras


Oboe Concerto in C major, K314
4 I: Allegro aperto
5 II: Adagio non troppo
6 III: Rondo (Allegretto)
(Cadenzas: John Wallace)

Flute & Harp Concerto in C major, K299
7 I: Allegro
8 II: Andantino
9 III: Rondeau (Allegro)
(Cadenzas: Hermann Pillney)


Gordon Hunt oboe ∙ Jonathan Snowden flute ∙ Caryl Thomas harp
London Philharmonic Orchestra
Andrew Litton


CD 21 72.08

Serenade No.13 in G major, K535 ‘Eine kleine Nachtmusik’
1 I: Allegro
2 II: Romanze (Andante)
3 III: Menuetto (Allegretto) & Trio
4 IV: Rondo (Allegro)

Bassoon Concerto in B flat major, K191
5 I: Allegro
6 II: Andante ma adagio
7 III: Ronro (Tempo di Menuetto)

Divertimento in D major, K136
8 I: Allegro
9 II: Andante
10 III: Presto

Divertimento in B flat major, K137
11 I: Andante
12 II: Allegro di molto
13 III: Allegro assai

Divertimento in F major, K138
14 I: Allegro
15 II: Andante
16 III: Presto


Yoshiyuki Nakanishi bassoon
London Mozart Players
Jane Glover

CD 22 68.12

Serenade No.7 in D major, K250 ‘Haffner’
1 I: Allegro maestoso − Allegro molto
2 II: Andante
3 III: Menuetto & Trio
4 IV: Rondo (Allegro)
5 V: Menuetto galante & Trio
6 VI: Andante
7 VII: Menuetto & Trios I & II
8 VIII: Adagio − Allegro assai

Serenata notturna in D major, K239
9 I: Marcia (Maestoso)
10 II: Menuetto & Trio
11 III: Rondeau (Allegretto)


Bath Festival Orchestra
Yehudi Menuhin
CD 23 73.07

Serenade No.10 in B flat major, K361 (370a) ‘Gran Partita’
1 I: Largo − Allegro molto
2 II: Menuetto & Trios I & II
3 III: Adagio
4 IV: Menuetto & Trios I & II
5 V: Romance (Adagio − Allegretto)
6 VI: Thema (Andante) with Variations
7 VII: Rondo (Allegro molto)

Serenade No.11 in E flat major, K375
8 I: Allegro
9 II: Menuetto I
10 III: Adagio
11 IV: Menuetto II & Trios I & II
12 V: Allegro

CD 24 68.44

Serenade No.12 in C minor, K388 (384a)
1 I: Allegro
2 II: Andante
3 III: Menuetto in Canone
4 IV: Allegro

Divertimento No.8 in F major, K213
5 I: Allegro spiritoso
6 II: Andante
7 III: Menuetto
8 IV: Contredanse en Rondeau (Molto allegro)

Divertimento No.9 in B flat major, K240
9 I: Allegro
10 II: Andante grazioso
11 III: Menuetto
12 IV: Allegro

Divertimento No.12 in E flat major, K252 (240a)
13 I: Andante
14 II: Menuetto
15 III: Polonaise (Andante)
16 IV: Presto assai

Divertimento No.14 in B flat major, K270
17 I: Allegro molto
18 II: Andantino
19 III: Menuetto (Moderato)
20 IV: Presto

Consortium Classicum

CD 25 75.28

String Quartet No.15 in D minor, K421
1 I: Allegro moderato
2 II: Andante
3 III: Menuetto (Allegretto)
4 IV: Allegretto ma non troppo

String Quartet No.16 in E flat major, K428
5 I: Allegro non troppo
6 II: Andante con moto
7 III: Menuetto (Allegretto − Allegro)
8 IV: Allegro vivace

String Quartet No.17 in B flat major, K458 ‘The Hunt’
9 I: Allegro vivace assai
10 II: Menuetto moderato
11 III: Adagio
12 IV: Allegro assai


Heutling Quartet

CD 26 79.45

String Quartet No.18 in A major, K464
1 I: Allegro
2 II: Menuetto
3 III: Andante
4 IV: Allegro non troppo

String Quartet No.19 in C major, K465 ‘The Dissonance’
5 I: Adagio − Allegro
6 II: Andante cantabile
7 III: Menuetto (Allegro)
8 IV: Allegro molto

String Quartet No.22 in B flat major, K589
9 I: Allegro
10 II: Larghetto
11 III: Menuetto (Moderato)
12 IV: Allegro assai


Heutling Quartet

CD 27 67.47

String Quintet No.3 in C major, K515
1 I: Allegro
2 II: Andante
3 III: Menuetto (Allegretto)
4 IV: Allegro

String Quintet No.4 in G minor, K516
5 I: Allegro
6 II: Menuetto (Allegretto)
7 III: Adagio ma non troppo
8 IV: Adagio − Allegro

CD 28 79.41

String Quintet No.1 in B flat major, K174
1 I: Allegro moderato
2 II: Adagio
3 III: Menuetto ma allegretto
4 IV: Allegro

String Quintet No.5 in D major, K593
5 I: Larghetto − Allegro
6 II: Adagio
7 III: Menuetto ma allegretto
8 IV: Allegro

String Quintet No.6 in E flat major, K614
9 I: Allegro di molto
10 II: Andante
11 III: Menuetto (Allegretto)
12 IV: Allegro


Heinz-Otto Graf viola
Heutling Quartet

CD 29 58.44

Violin Sonata in D major, K306
1 I: Allegro con spirito
2 II: Andantino cantabile
3 III: Allegretto

Violin Sonata in B flat major, K378
4 I: Allegro moderato
5 II: Andantino sostenuto e cantabile
6 III: Rondo (Allegro)

Andante & Allegretto in C major, K404
7 I: Andante
8 II: Allegro

Violin Sonata in B flat major, K372
9 I: Allegro


Oleg Kagaan violin
Sviatoslav Richter piano


CD 30 79.22

Piano Sonata in D major, K311 (284c)
1 I: Allegro con spirito
2 II: Andantino con espressione
3 III: Rondeau (Allegro)

Piano Sonata in C major, K330 (300h)
4 I: Allegro moderato
5 II: Andante cantabile
6 III: Allegretto

Piano Sonata in A major, K331 (300i)
7 I: Tema (Andante grazioso) con variazioni (I−VI)
8 II: Menuetto − Trio
9 III: Alla turca (Allegretto)

Piano Sonata in F major, K332 (300k)
10 I: Allegro
11 II: Adagio
12 III: Allegro assai

CD 31 57.44

Piano Sonata in B flat major, K333 (315c)
1 I: Allegro
2 II: Andante cantabile
3 III: Allegretto grazioso

Fantasia in C minor, K475
4 Adagio − Allegro − Andantino − Più allegro − Tempo I

Piano Sonata in C minor, K457
5 I: Molto allegro
6 II: Adagio
7 III: Allegro assai

CD 32 73.23

Piano Sonata in F major, K533
1 I: Allegro
2 II: Andante cantabile
3 III: Allegretto

Piano Sonata in C major, K545
4 I: Allegro
5 II: Andante
6 III: Rondo

Piano Sonata in B flat major, K570
7 I: Allegro
8 II: Adagio
9 III: Allegretto

Piano Sonata in D major, K576
10 I: Allegro
11 II: Adagio
12 III: Allegretto

CD 33 60.31

Variations on a Dutch Theme by C.E. Graaf, K24
1 Tema (‘Laat ons juichen’) (Allegretto)
2 Variation 1
3 Variation 2
4 Variation 3
5 Variation 4
6 Variation 5
7 Variation 6
8 Variation 7 (Adagio)
9 Variation 8 (Tempo I)

Variations on ‘Willem van Nassau, K25
10 Tema (Air) (Allegro)
11 Variation 1
12 Variation 2
13 Variation 3
14 Variation 4
15 Variation 5 (Adagio)
16 Variation 6 (Tempo I)
17 Variation 7

Variations on ‘Mio caro Adone’ from La fiera di Venezia by Salieri, K180 (173c)
18 Tema (Menuetto) (Andante)
19 Variation 1
20 Variation 2
21 Variation 3
22 Variation 4
23 Variation 5 (Adagio)
24 Variation 6 (Allegretto)

Variations on a Minuet by J.C. Fischer, K179 (189a)
25 Tema (Menuet)
26 Variation 1
27 Variation 2
28 Variation 3
29 Variation 4
30 Variation 5
31 Variation 6
32 Variation 7
33 Variation 8
34 Variation 9
35 Variation 10
36 Variation 11 (Adagio)
37 Variation 12 (Allegro)

Variations on the Romance ‘Je suis Lindor’ by A.L. Baudron
from Beaumarchais’s Le barbier de Séville, K354 (299a)
38 Tema (Air) (Allegretto)
39 Variation 1
40 Variation 2
41 Variation 3
42 Variation 4
43 Variation 5
44 Variation 6
45 Variation 7
46 Variation 8 (Tempo di menuetto)
47 Variation 9
48 Variation 10 (Allegretto)
49 Variation 11
50 Variation 12 (Molto adagio −
51 Allegretto)

CD 34 65.28


Variations on ‘Ah, vous dirai-je, maman’, K265 (300e)
1 Tema
2 Variation 1
3 Variation 2
4 Variation 3
5 Variation 4
6 Variation 5
7 Variation 6
8 Variation 7
9 Variation 8
10 Variation 9
11 Variation 10
12 Variation 11 (Adagio)
13 Variation 12 (Allegro)

Variations on ‘La belle françoise’, K353 (300f)
14 Tema
15 Variation 1
16 Variation 2
17 Variation 3
18 Variation 4
19 Variation 5
20 Variation 6
21 Variation 7
22 Variation 8
23 Variation 9
24 Variation 10
25 Variation 11 (Adagio)
26 Variation 12 (Presto)

Variations on the Air ‘Lison dormait’ from Julie by N. Dezède, K264 (315d)
27 Tema (Andante)
28 Variation 1
29 Variation 2
30 Variation 3
31 Variation 4
32 Variation 5
33 Variation 6
34 Variation 7
35 Variation 8 (Adagio)
36 Variation 9 (Allegro −
37 Tempo di tema)

Variations on the March ‘Dieu d’amour’ from
Les marriages samnites by Grétry, K352 (374c)
38 Tema
39 Variation 1
40 Variation 2
41 Variation 3
42 Variation 4
43 Variation 5
44 Variation 6
45 Variation 7 (Adagio)
46 Variation 8 (Allegro)

Variations on the ‘Salve, tu Domine’ from
I filosofi immaginari by Paisiello, K398 (416e)
47 Tema
48 Variation 1
49 Variation 2
50 Variation 3
51 Variation 4
52 Variation 5
53 Variation 6

CD 35 64.30

Variations on ‘Les homes pieusement’ from
La rencontre imprévue by Gluck, K455
1 Tema (Allegretto)
2 Variation 1
3 Variation 2
4 Variation 3
5 Variation 4
6 Variation 5
7 Variation 6
8 Variation 7
9 Variation 81.34
10 Variation 9 (Adagio)
11 Variation 10 (Allegro −
12 Tempo I)

Variations on an Original Theme, K500
13 Tema (Allegretto)
14 Variation 1
15 Variation 2
16 Variation 3
17 Variation 4
18 Variation 5
19 Variation 6
20 Variation 7
21 Variation 8
22 Variation 9
23 Variation 10
24 Variation 11 (Adagio)
25 Variation 12 (Allegro −
26 Tempo I)

Variations on an Original Theme, K54 (547b)
27 Tema (Allegretto)
28 Variation 1
29 Variation 2
30 Variation 3
31 Variation 4
32 Variation 5
33 Variation 6

Variations on a Minuet by J.P. Duport, K573
34 Tema
35 Variation 1
36 Variation 2
37 Variation 3
38 Variation 4
39 Variation 5
40 Variation 6
41 Variation 7
42 Variation 8 (Adagio)
43 Variation 9 (Allegro −
44 Tempo I)

Variations on ‘Ein Weib ist das herrlichste Ding’ by B. Schack
from Schikaneder’s Der dumme Gärtner, K613
45 Tema
46 Variation 1
47 Variation 2
48 Variation 3
49 Variation 4
50 Variation 5
51 Variation 6
52 Variation 7 (Adagio)
53 Variation 8 (Allegro −
54 Tempo I)

Daniel Barenboim piano

CD 36 63.18

1 Sehnsucht nach dem Frühlinge, K596 (Christian Ouerbeck
2 An die Hoffnung, K390 (340c) (J. T. Hermes)
3 Der Zauberer, K472 (Christian Weiße)
4 Die kleine Spinnerin, K531 (unknown)
5 Die Verschweigung, K518 (Christian Weiße)
6 Das Lied der Trennung, K519 (E.K. Klamer-Schmidt)
7 Die Zufriedenheit, K473 (Christian Weiße)
8 Als Luise die Briefe, K520 (Gabriele von Baumberg)
9 An die Einsamkeit, K391 (340b) (J. T. Hermes)
10 Das Veilchen, K476 (Goethe)
11 Abendempfindung, K523 (unknown)
12 An Chloe, K524 (J.G. Jacobi)
13 Cantata: Die ihr des unermeßlichen Weltalls, K619 (F.H. Ziegenhagen)
14 Canzonetta: Ridente la calma, K152 (unknown)
15 Dans un bois solitaire, K308 (Antoine Houdart de la Motte)
16 Oiseaux si tous les ans, K307 (284d) (Antoine Ferrand)
17 Un moto di gioia, K579 (attrib. Da Ponte)


Barbara Hendricks soprano
Maria Jo�£o Pires piano

18 Komm, liebe Zither, K351 (367b) (unknown)

Barbara Hendricks soprano
Goran Söllscher guitar

19 Ch’io mi scordi di te?...Non temer, amato bene, K505 (Varesco)
Source master 0777 7 54007 2 4

Barbara Hendricks soprano
Maria Jo�£o Pires piano
Lausanne Chamber Orchestra
Mika Eichenholtz

CD 37 73.10

Mass in C minor, K427
1 I: Kyrie
II: Gloria
2 Gloria in excelsis Deo
3 Laudamus te
4 Gratias agimus tibi
5 Domine Deus
6 Qui tollis peccata mundi
7 Quoniam tu solus Sanctus
8 Jesu Christe
9 Cum Sancto Spiritu
III: Credo
10 Credo in unum Deum
11 Et incarnatus est
IV: Sanctus
12 Sanctus, sanctus, sanctus
13 Osanna in excelsis
14 V: Benedictus


Ileana Cotrubas & Dame Kiri Te Kanawa sopranos
Werner Krenn tenor ∙ Hans Sotin bass
John Alldis Choir John Alldis chorus master
New Philharmonia Orchestra
Raymond Leppard

Vesperae de Dominica, K321 (highlights)
15 I: Dixit Dominus
16 V: Laudate Dominum2
17 VI: Magnificat

Lynne Dawson soprano ∙ David James alto
Rogers Covey-Crump tenor ∙ Paul Hillier bass
Choir of King’s College, Cambridge ∙ Stephen Layton organ
Cambridge Classical Players
Stephen Cleobury

CD 38 52.28

Mass No.14 in C major, K317 ‘Coronation’
1 Kyrie
2 Gloria
3 Credo
4 Sanctus
5 Benedictus
6 Agnus Dei

Vesperae solennes de confessore, K339
7 Dixit Dominus
8 Confitebor
9 Beatus vir
10 Laudate pueri
11 Laudate Dominum
12 Magnificat


Edda Moser soprano ∙ Julia Hamari mezzo-soprano
Nicolai Gedda tenor ∙ Dietrich Fischer-Dieskau baritone
Bavarian Radio Chorus Josef Schmidhuber chorus master
Bavarian Radio Symphony Orchestra
Eugen Jochum

CD 39 74.12

Requiem in D minor, K626
I: Introitus:
1 Requiem aeternam
II: Kyrie eleison
III: Sequenz
2 Dies irae
3 Tuba mirum
4 Rex tremendae
5 Recordare
6 Confutatis maledictis
7 Lacrimosa
IV: Offertorium
8 Domine Jesu5
9 Hostias et preces tibi
10 V: Sanctus
11 VI: Benedictus
12 VII: Agnus Dei – VIII: Communio


Edith Mathis soprano ∙ Grace Bumbry alto
George Shirley tenor ∙ Marius Rintzler bass
New Philharmonia Chorus & Orchestra
Rafael Frühbeck de Burgos (P) 1968/1988*

13 Ave verum corpus, K618

Singverein der Gesellschaft der Musikfreunde in Wien
Philharmonia Orchestra
Herbert von Karajan

14 Exsultate, jubilate, K165 (158a)

Barbara Hendricks soprano
Academy of St Martin in the Fields
Sir Neville Marriner

CD 40 36.57

Die Entführung aus dem Serail. K384
Singspiel in three acts
Libretto by Gottleib Stephanie, after Christoph Friedrich Bretzner
Sung in German

Konstanze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anneliese Rothenberger soprano
Blonde . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lucia Popp soprano
Belmonte . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nicolai Gedda tenor
Pedrillo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..Gerhard Unger tenor
Osmin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gottlob Frick bass
Selim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leopold Rudolf spoken role

Chor der Wiener Staatsoper
Wiener Philharmoniker
Josef Krips
1 Overture
ACT I
2 Hier soil ich..Aber wie soll ich in den Palast kommen? (Belmonte)
3 Wer ein Liebchen hat gefunden...Verwünscht seist du...(Osmin, Belmonte)
4 Das scheint auch so ein Schurke (Osmin, Pedrillo)
5 Solche hergelaufne Laffen (Osmin)
6 Was bist du für ein grausamer Kerl!(Pedrillo, Osmin)
7 Geh nur, verwünschter Aufpasser (Pedrillo, Belmonte)
8 Konstanze, dich wieder zu sehen, dich! (Belmonte)
9 Hen, geschwind zur Seite!...Singt dem großen Bassa Lieder (Pedrillo, Chorus)
10 Immer noch traurig, geliebte Konstanze? (Selim, Konstanze)
11 Ach ich liebte, war so glücklich (Konstanze)
12 Ihr Schmerz, ihre Tränen (Selim, Pedrillo, Belmonte, Osmin)

CD 41 77.12

ACT II
1 Gift und Dolch...Durch Zärtlichkeit und Schmeicheln (Osmin, Blonde)
2 Zärtlichkeit? Schmeicheln? (Osmin, Blonde)
3 Ich gehe, doch rate ich dir.. Ach, wie traurig... (Osmin, Blonde)
4 Welcher Kummer herrscht...Traurigkeit (Konstanze)
5 Mein bestes Fräulein...(Blonde, Konstanze, Selim)
6 Martern aller Arten (Konstanze)
7 Woher hat sie auf einmal den Mut? (Selim, Blonde, Pedrillo)
8 Welche Wonne, welche Lust (Blonde)
9 Ach, wenn es doch schon...Frisch zum Kampfe! (Pedrillo)
10 Na, hier geht’s ja lustig zu! (Osmin, Pedrillo)
11 Vivat, Bacchus! (Osmin, Pedrillo)
12 Das ist wahr − Wein...(Osmin, Pedrillo, Belmonte)
13 Ach, Belmonte, ach mein Leben! (Konstanze, Belmonte, Pedrillo, Blonde)

ACT III
14 Wenn der Freude Tränen fließen (Belmonte)
15 Pedrillo! Ist alles fertig? (Belmonte, Pedrillo)
16 Im Mohrenland gefangen war ein Mädchen (Pedrillo, Belmonte, Osmin, Blonde
17 Oh, wie will ich triumphieren (Osmin)
18 Was gibt’s Osmin? (Selim, Osmin, Konstanze, Belmonte)
19 Welch ein Geschick! (Belmonte, Konstanze)
20 Nun, zitterst du, erwartest du dein Urteil? (Selim, Belmonte, Pedrillo, Osmin)
CD 42 76.48

Le nozze di Figaro, K492
Comic opera in four acts
Libretto by Lorenzo da Ponte, after Pierre-Augustin Beaumarchais
Sung in Italian

Count Almaviva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dietrich Fischer-Dieskau baritone
Countess Almaviva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Harper soprano
Susanna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Judith Blegen soprano
Figaro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sir Geraint Evans baritone
Cherubino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Teresa Berganza mezzo-soprano
Marcellina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Birgit Finillä mezzo-soprano
Don Basilio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Fryatt tenor
Don Curzio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .John Robertson tenor
Bartolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . William McCue bass
Antonio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Malcolm Donnelly baritone
Barbarina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elizabeth Gayle soprano
Two Girls . . . . . . . . . . . . . . . . . . . . . . . . . . . Elizabeth Ritchie & Patricia O’Neill sopranos

John Alldis Choir John Alldis director
Richard Amner harpsichord
English Chamber Orchestra
Daniel Barenboim

1 Overture

ACT I
2 Cinque . . . dieci . . . venti (Figaro, Susanna)
3 Se a caso Madama (Figaro, Susanna)
4 Bravo, signor padrone . . . Se vuol ballare (Figaro)
5 La vendetta, oh, la vendetta (Bartolo)
6 Via, resti servita (Susanna, Marcellina)
7 Non so più cosa son, cosa faccio (Cherubino)
8 Oh cielo! Cosa sento! (Susanna, Count, Basilio)
9 Non più andrai (Figaro)

ACT II
10 Porgi, amor (Countess)
11 Vieni, cara Susanna (Countess, Susanna, Figaro, Cherubino)
12 Voi, che sapete (Cherubino)
13 Bravo! Che bella voce! (Countess, Susanna, Cherubino)
14 Venite, inginocchiatevi (Susanna)
15 Quante buffonerie! (Countess, Susanna, Cherubino, Count)
16 Susanna, or via sortite (Count, Countess, Susanna)
17 Dunque voi non aprite? (Count, Countess)
18 Aprite, presto, aprite (Susanna, Cherubino)
19 Oh guarda il demonietto (Susanna, Count, Countess)
20 Esci ormai, garzon malnato (Count, Countess)
21 Susanna! Susanna! (Count, Countess, Susanna)
22 Signori, di fuori! (Figaro, Count, Susanna, Countess)
23 Ah! Signor, signor! (Antonio, Count, Susanna, Countess, Figaro)
24 Voi signor, che giusto siete (Marcellina, Basilio, Bartolo, Susanna, Countess, Figaro, Count)

CD 43 78.03

ACT III
1 Che imbarazzo è mai questo! (Count, Countess, Susanna)
2 Crudel! Perché finora farmi languir così? (Count, Susanna)
3 E perché fosti meco (Count, Susanna, Figaro)
4 Hai già vinta la causa! . . . Vedrò, mentr’io sospiro (Count)
5 È decisa la lite (Don Curzio, Marcellina, Figaro, Count, Bartolo)
6 Riconosci in quest’amplesso (Marcellina, Figaro, Bartolo, Don Curzio, Count, Susanna)
7 Eccovi, o caro amico (Marcellina, Bartolo, Susanna, Figaro, Barbarina, Cherubino)
8 E Susanna non vien! . . . Dove sono (Countess)
9 Io vi dico, signor (Antonio, Count, Countess, Susanna)
10 Canzonetta sull’aria … Che soave zeffiretto (Countess, Susanna)
11 Ricevete, o padroncina (Peasant Girls, Barbarina, Countess, Susanna, Antonio, Count, Cherubino, Figaro)
12 Ecco la marcia (Figaro, Susanna, Count, Countess, Two Girls, Peasants)

ACT IV
13 L’ho perduta, me meschina! (Barbarina)
14 Barbarina, cos’ hai? (Figaro, Barbarina, Marcellina)
15 Nel padiglione a manca (Barbarina, Figaro, Basilio, Bartolo)
16 Ha i diavoli nel corpo! . . . In quegli anni (Basilio, Bartolo)
17 Tutto è disposto . . . Aprite un po’ quegli occhi (Figaro)
18 Signora, ella mi disse (Susanna, Marcellina, Countess, Figaro)
19 Giunse alfin il momento (Susanna)
20 Deh vieni, non tardar (Susanna)
21 Perfida! E in quella forma meco mentia? (Figaro, Cherubino, Countess)
22 Pian, pianin, le andrò più presso (Cherubino, Countess, Count, Susanna, Figaro)
23 Partito è alfin l’audace (Count, Countess, Figaro, Susanna)
24 Tutto è tranquillo e placido (Figaro, Susanna)
25 Pace, pace, mio dolce tesoro (Figaro, Susanna, Count)
26 Gente, gente, all’armi, all’armi! (All)

CD 44 77.35

Don Giovanni, K527
Opera in two acts
Libretto by Lorenzo da Ponte
Sung in Italian

Don Giovanni . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Roger Soyer bass
Donna Anna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Antigone Sgourda soprano
Don Ottavio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Luigi Alva tenor
Commendatore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Peter Lagger bass
Donna Elvira . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Harper soprano
Leporello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sir Geraint Evans baritone
Masetto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alberto Rinaldi baritone
Zerlina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Helen Donath soprano

Scottish Opera Chorus
Arthur Oldham chorus master
Walter Baracchi harpsichord
English Chamber Orchestra
Daniel Barenboim
1 Overture
ACT I
Scene 1
2 Notte e giorno faticar (Leporello)
3 Non sperar, se non m’uccidi (Donna Anna, Don Giovanni, Leporello)
4 Lasciala, indegno! (Commendatore, Don Giovanni, Leporello)
5 Leporello, ove sei? (Don Giovanni, Leporello)
6 Ah! del padre in periglio (Donna Anna, Don Ottavio)
7 Fuggi, crudele, fuggi! (Donna Anna, Don Ottavio)
Scene 2

8 Orsù, spicciati presto (Don Giovanni, Leporello, Donna Elvira)
9 Ah, chi mi dice mai (Donna Elvira, Don Giovanni, Leporello)
10 Madamina, il catalogo è questo (Leporello)

Scene 3
11 Giovinette che fate all’amore (Zerlina, Peasants, Masetto)
12 Ho capito, signor, sì! (Masetto)
13 Là ci darem la mano (Don Giovanni, Zerlina)
14 Fermati, scellerato! (Donna Elvira, Zerlina, Don Giovanni)
15 Ah, fuggi il traditor! (Donna Elvira)
16 Non ti fidar, o misera (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira)
17 Povera sventurata! (Don Giovanni)
18 Don Ottavio, son morta! (Donna Anna, Don Ottavio)
19 Or sai chi l’onore (Donna Anna)
20 Finch’han dal vino (Don Giovanni)

Scene 4
21 Batti, batti, o bel Masetto (Zerlina)
22 Presto, presto, pria ch’ei venga (Masetto, Zerlina, Don Giovanni, Servants, Peasants)
23 Tra quest’arbori celata (Zerlina, Don Giovanni, Masetto)
24 Bisogna aver coraggio (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
25 Protegga il giusto cielo (Donna Anna, Don Ottavio, Donna Elvira)

Scene 5
26 Riposate, vezzose ragazze (Don Giovanni, Leporello, Masetto, Zerlina)
27 Venite pur avanti (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)
28 Ecco il birbo (Don Giovanni, Leporello, Donna Anna, Donna Elvira, Don Ottavio)
29 Trema, trema, o scellerato! (Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto, Don Giovanni, Leporello)

CD 45 79.15

ACT II
Scene 1
1 Eh via, buffone, non mi seccar! (Don Giovanni, Leporello)
2 Ah taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni)
3 Deh vieni alla finestra (Don Giovanni)
4 Metà di voi qua vadano (Don Giovanni)
5 Vedrai, carino (Zerlina)

Scene 2
6 Sola, sola in buio loco (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
7 Mille torbidi pensieri (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
8 Ah, pietà, signori miei! (Leporello)
9 Il mio tesoro intanto (Don Ottavio)



Scene 3
10 O statua gentilissima (Leporello, Don Giovanni, Statue)

Scene 4
11 Calmatevi, idol mio! (Don Ottavio, Donna Anna)
12 Non mi dir (Donna Anna)

Scene 5
13 Già la mensa è preparata (Don Giovanni, Leporello)
14 L’ultima prova dell’amor mio (Donna Elvira, Don Giovanni, Leporello)
15 Che grido è questo mai? (Don Giovanni, Leporello)
16 Don Giovanni, a cenar teco (Statue, Don Giovanni, Leporello)
17 Da qual tremore insolito (Don Giovanni, Demons, Leporello)
18 Ah, dov’è il perfido? (Donna Elvira, Zerlina, Don Ottavio, Masetto, Donna Anna, Leporello)
19 Or che tutti, o mio tesoro (Donna Elvira, Zerlina, Don Ottavio, Masetto, Donna Anna, Leporello)
20 Resti dunque quel birbon (Zerlina, Masetto, Leporello)
21 Questo è il fin (Donna Elvira, Zerlina, Don Ottavio, Masetto, Donna Anna, Leporello)

Appendix
22 Dalla sua pace (Don Ottavio)
23 In quali eccessi, o Numi (Donna Elvira)
24 Mi tradì quell’alma ingrata (Donna Elvira)

In the Vienna version of Don Giovanni, Don Ottavio’s aria 22 follows Donna Anna’s aria ‘Or sai chi l’onore’ in Act I, Scene 3; Donna Elvira’s recitative and aria 23-24 come at the end of Act II, Scene 2.


CD 46 73.11

Così fan tutte, K588
Comic opera in two acts
Libretto by Lorenzo da Ponte
Sung in Italian

Fiordiligi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carol Vaness soprano
Dorabella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Delores Ziegler mezzo-soprano
Despina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lillian Watson soprano
Ferrando . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .John Aler tenor
Guglielmo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Dale Duesing baritone
Don Alfonso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Claudio Desderi bass

Glyndebourne Chorus
London Philharmonic Orchestra
Bernard Haitink

1 Overture

ACT I
Scene 1
2 La mia Dorabella capace non è (Ferrando, Guglielmo, Don Alfonso)
3 Fuor’la spada (Ferrando, Guglielmo, Don Alfonso)
4 E la fede delle femmine (Ferrando, Guglielmo, Don Alfonso)
5 Scioccherie di poeti! (Ferrando, Guglielmo, Don Alfonso)
6 Una bella serenata (Ferrando, Guglielmo, Don Alfonso)

Scene 2
7 Ah guarda, sorella (Fiordiligi, Dorabella)
8 Mi par, che stamattina volentieri farei la pazzarella (Fiordiligi, Dorabella, Don Alfonso)
9 Barbaro fato!...Vorrei dir, e cor non ho (Don Alfonso)
10 Stelle! Per carità, Signor Alfonso (Fiordiligi, Don Alfonso, Dorabella)
11 Sento, o Dio, che questo piede (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
12 Non piangere, idol mio! (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
13 Al fato dan legge queli occhi (Ferrando, Guglielmo)
14 La commedia è graziosa (Don Alfonso, Ferrando, Fiordiligi, Dorabella)
15 Bella vita military (Chorus)
16 Non v’è più tempo…(Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
17 Muoio d’affano!...Di scrivermi ogni giorno (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso)
18 Bella vita military! (Chorus)
19 Dove son? (Dorabella, Don Alfonso, Fiordiligi)
20 Soave sia il vento (Fiordiligi, Dorabella, Don Alfonso)
21 Non son cattivo comico (Don Alfonso)

Scene 3
22 Che vita maladetta (Despina, Fiordiligi, Dorabella)
23 Smanie implacabili (Dorabella)
24 Signora Dorabella, Signora Fiordiligi (Despina, Dorabella, Fiordiligi)
25 In uomini, in soldati (Despina)
26 Chi silenzio? Che aspetto di tristezza (Don Alfonso, Despina)
27 Alla bella Despinetta (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
28 Che sussuro! Che strepito! (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)
29 L’intatta fede…(Fiordiligi)
30 Come scoglio immoto resta (Fiordiligi)
31 Ah, non partite! (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)
32 Non siate ritrosi, occhietti vezzosi (Guglielmo)
33 E voi ridete? (Don Alfonso, Ferrando, Guglielmo)
34 Si può sapere un poco (Don Alfonso, Guglielmo, Ferrando)
35 Un’aura amorosa (Ferrando)

CD 47 58.46

Scene 4
1 Ah, che tutto in un momento (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don, Alfonso)
2 Ah che del sole il raggio (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
3 Eccovi il medico (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
4 Dove son? Che loco è questo? (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Don Alfonso)
5 Dammi un bacio, o mio tesoro (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Don Alfonso)

ACT II
Scene 1
6 Andate là, che siete due bizarre ragazze! (Despina, Fiordiligi, Dorabella)
7 Una donna a quindici anni (Despina)
8 Sorella, cosa dici? (Fiordiligi, Dorabella)
9 Prenderò quell brunettino (Dorabella, Fiordiligi)
10 Ah correte al giardino (Don Alfonso)

Scene 2
11 Secondate, aurette amiche (Ferrando, Guglielmo, Chorus)
12 Cos’è tal mascherata? (Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso)
13 La mano a me date (Don Alfonso, Ferrando, Guglielmo, Despina)
14 Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo)
15 Il core vi dono (Guglielmo, Dorabella)
16 Barbara, perché fuggi? (Ferrando, Fiordiligi)
17 Ah, lo veggio, quell’anima bella (Ferrando)
18 Ei parte…senti…ah no! (Fiordiligi)
19 Per pieta, ben mio, perdona (Fiordiligi)

CD 48 53.25

1 Amico, abbiamo vinto! (Ferrando, Guglielmo)
2 Donne mie, la fate a tanti a tanti (Guglielmo)
3 In qual fiero contrasto (Ferrando)
4 Tradito, schernito (Ferrando)
5 Bravo, questo è costanza (Don Alfonso, Ferrando, Guglielmo)

Scene 3
6 Ora vedo che siete una donna di garbo (Despina, Dorabella, Fiordiligi)
7 E amore un ladroncello (Dorabella)
8 Come tutto conguira a sedurre il mil cor! (Fiordiligi, Guglielmo, Despina, Don Alfonso)
9 Fra gli amplessi in pochi istanti (Fiordiligi, Ferrando)
10 Ah poveretto me, cosa ho veduto! (Guglielmo, Don Alfonso, Ferrando)
11 Tutti accusan le donne (Don Alfonso, Ferrando, Guglielmo)
12 Vittoria, padroncini! (Despina, Ferrando, Guglielmo, Don Alfonso)

Scene 4
13 Fate presto, o cari amici (Despina, Chorus, Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo
14 Benedetti I doppi conjugi (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo)
15 El nel tuo, nel mio bicchiero (Fiordiligi, Dorabella, Ferrando, Guglielmo)
16 Miei Signori, tutto è fatto (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)
17 Bella vita militar! (Coro, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso)
18 Sani e salvi gli amplessi amorosi (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
19 Giusto ciel! (Ferrando, Guglielmo)
20 Ah Signor, son rea di morte (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Despina)
21 V’ingannai, ma fu l’inganno (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)
22 Fortunato l’uom che prende (Tutti)


CD 49 74.27

Die Zauberflöte, K620
Singspiel in two acts
Libretto by Emanuel Schikaneder
Sung in German

Sarastro ………………………………………….…………. Kurt Moll bass
Tamino ………………………………………….……... Peter Schreier tenor
Queen of the Night ……………………………..…….. Edda Moser soprano
Pamina …………………………………… Anneliese Rothenberger soprano
Papageno ……………………………………………...Walter Berry baritone
Papagena…………………………………………Olivera Miljakovic soprano
Speaker ……………………………………………………. Theo Adam bass
First Lady …………………………………….. Leonore Kirschstein soprano
Second Lady ………………………………… Ilse Gramatzki mezzo-soprano
Third Lady …………………………………... Brigitte Fassbaender contralto
Monostatos ……………………………………….….. Willi Brokmeier tenor
First Priest ……………………………………….….. Wilfried Badorek tenor
Second Priest …………………………………………… Günter Wewel bass
First Boy …………………………………………….. Walter Gampert treble*
Second Boy …………………………….… Peter Hinterreiter mezzo-soprano*
Third Boy ……………………………………………....... Andreas Stein alto*
First Armed Man ……………………………………. Wilfried Badorek tenor
Second Armed Man …………………………………….. Günter Wewel bass
*Soloists of the Tölz Boys’ Choir

Chor & Orchester der Bayerischen Staatsoper, München
Wolfgang Sawallisch

1 Overture

ACT I
2 Zu Hilfe! Zu Hilfe! (Tamino, Three Ladies)
3 Wo bin ich? (dialogue: Tamino)
4 Der Vogelfänger bin ich ja (Papageno)
5 He da! Was da? (dialogue: Tamino, Papageno, Three Ladies)
6 Dies Bildnis ist bezaubernd schön (Tamino)
7 Rüste dich mit Mut und Standhaftigkeit (dialogue: Three Ladies, Tamino)
8 O zittre nicht, mein lieber Sohn (Queen of the Night)
9 Ist’s denn auch Wahrheit, was ich sah? (dialogue: Tamino)
10 Hm! hm! hm! hm! (Papageno, Tamino, Three Ladies)
11 Du feines Täubchen, nur herein! (Monostatos, Pamina, Papageno)
12 Bin ich nicht ein Narr (dialogue: Papageno, Pamina)
13 Bei Männern, welche Liebe fühlen (Pamina, Papageno)
14 Zum Ziele führt dich diese Bahn (Three Boys, Tamino, Speaker, Chorus)
15 Wie stark ist nicht dein Zauberton . . . Schnelle Füße (Tamino, Pamina, Papageno, Monostatos, Sarastro, Chorus)

ACT II
16 March of the Priests
17 Ihr in den Weisheitstempel eingeweihten Diener (dialogue: Sarastro, Two Priests, Speaker)
18 O Isis und Osiris (Sarastro, Priests)

CD 50 73.53

1 Eine schreckliche Nacht (dialogue: Tamino, Papageno, Two Priests)
2 Bewahret euch vor Weibertücken (Two Priests)
3 He, Lichter her! (dialogue: Papageno, Tamino)
4 Pamina, wo bist du? (Tamino, Papageno)
5 Wie? Wie? Wie? Ihr an diesem Schreckensort? (Three Ladies, Tamino, Papageno, Chorus)
6 Tamino! Dien standhaft männliches Betragen (dialogue: Two Priests, Papageno, Monostatos)
7 Alles fühlt der Lieber Freuden (Monostatos)
8 Zurück! O weh! Die Königen der Nacht (dialogue: Queen of the Night, Monostatos, Pamina)
9 Der Hölle Rache kocht in meinem Herzen (Queen of the Night)
10 Morden soll ich? Das kann ich nicht! (dialogue: Pamina, Monostatos, Sarastro)
11 In diesen heil’gen Hallen (Sarastro)
12 Hier seid ihr beide euch allein überlassen (dialogue: Two Priests, Papageno, Tamino, Papagena)
13 Seid uns zum zweiten Mal willkommen (Three Boys)
14 Tamino, wollen wir nicht speisen (dialogue: Papageno, Pamina)


15 Ach, ich fühl’s, es ist entschwunden (Pamina)
16 Siehst du, Tamino, ich kann auch schweigen (dialogue: Papageno)
17 O Isis und Osiris, welche Wonne! (Priests)
18 Tamino, dein Betragen war bisher männlich und gelassen (dialogue: Sarastro, Pamina)
19 Soll ich dich, Teurer, nicht mehr sehn? (Pamina, Sarastro, Tamino)
20 Tamino! Tamino! Willst du mich denn gänzlich verlassen? (dialogue: Papageno, First Priest)
21 Ein Mädchen oder Weibchen (Papageno)
22 Da bin ich schon, mein Engel (Papagena, Papageno, First Priest)
23 Bald prangt, den Morgen zu verkünden (Three Boys, Pamina)
24 Der, welcher wandert diese Straße (Two Armed Men, Tamino, Pamina)
25 Papagena! Papagena! (Papageno, Three Boys, Papagena)
26 Nur stille . . .Die Strahlen der Sonne (Queen of the Night, Monostatos, Three Ladies, Sarastro, Priests)